An Object of Beauty
Grand Central, Nov 23 2010, $26.99
Art writer Daniel Frank of the Stockbridge, Massachusetts Franks is bone marrow weary of his 24/7 thoughts about his amoral former lover Lacey Yeager. He knows she will sleep with anyone to get a head. In hopes of purging her from his blood, he writes down his thoughts about the rise and rise of Lacey Yeager in the upscale Manhattan art world.
In the Clintonian Era, twenty-three years old beautiful Lacey Yeager obtains an entry level job as a Sotheby staffer. The intelligent and ambitious Lacey quickly rises up in rank in the company’s normally glacial pace. As she did at Sothby’s to obtain promotions, Lacey uses her body and brain to obtain a position at exclusive Barton Talley’s gallery of “Very Expensive Paintings”; ethics is for the hogs and legalities is for the frightened losers. Finally she achieves her objective of opening up the Lacey Yeager gallery in Chelsea and even 9/11 fails to prevent her meteoric rise to the troposphere of the high priced art universe.
As a microcosm of the greed that led to the crash, An Object of Beauty is a terrific look at the ultra rich in which avarice with a need for more is a way of life as Steve Martin eloquently states that America has an aristocratic class with no moral ties to the country. The addition of pictures of paintings adds a fine art touch to the story line. However, this is Lacey’s tale as she is a fascinating prototype as seen through the eyes of her whining former lover who exposes much of himself having a brain with one icon imprinted on it even as he exposes the woman he loathes and cherishes. Although the ending feels off kilter, Mr. Martin provides a profound condemnation of wealth without morality is worthless.